Our lives unfold in chapters—some good, some bad, some that seem endless, and others that challenge us. Which chapter holds the most significance? That’s anyone’s guess. But now, midway through my fifties, I find myself in a chapter where I can see how each part of the story builds upon the last, creating a unique and evolving narrative that ultimately defines who we are.

As I reflect on my lengthy career in the music industry, I realize how fortunate I am to be working at a true gem of a music venue. In an era where corporate interests often overshadow the joy of performers and patrons, it’s rare—and incredibly rewarding—to find a place that stays true to its values. This small, family-owned organization is dedicated to the art, making every show an unforgettable experience. As part of this team, I work to seamlessly weave together the many moving parts, ensuring we deliver on our promise to create something genuine and real.

Sellersville Theater, originally built as a stable in 1894, opened as a live performance venue in 2002 after David Maclay, owner of Cinema 1894, decided to retire at the age of 76. The cinema, known for showing late-run movies, operated for twenty-six years, offering entertainment for local Bucks County residents. The property was later purchased by William Quigley and Elayne Brick, both owners of the neighboring restaurant, The Washington House. Their mission was to preserve the historic building and its legacy. After months of intense renovation, the first performance at Sellersville Theater took place on September 14, 2002—a sold-out evening with celebrated singer/songwriter Leon Redbone.

I joined the team on April 20, 2017, and worked my first show as House Manager. It was a blues performance by Albert Cummings, who rocked the house that night, as he has done so many times since. I’ve had the honor of working countless performances, with January 31, 2025, marking my 1000th show.

I chuckle when performers look amazed as I recall the tiniest details—how they like their dressing room set up or that they prefer sugar-free Red Bull to full octane. But that’s what I do, along with the rest of the Sellersville Theater team: we look for the particulars. I’ve marked over one hundred of those 1000 shows as my favorites, each one special for its own reasons. I realize that for many, one hundred shows may be as many as they’ve seen in their lifetime, so I don’t take for granted the privilege I have in working with, at times, some of the most recognized musicians and comedians of our time. 

I’ve compiled a list of artists who’ve made my journey truly special, presented alphabetically because no single show could ever be crowned “my favorite.” Each of them represents a unique chapter in my story, and I’m grateful for every note, every performance, and every person who’s been part of it. I hope you enjoy the ride.

Kicking off my list are two shows with Grammy Award-winning guitarist Al Di Meola. Rising to prominence in the 1970s as a member of Chick Corea’s Return to Forever, Di Meola has since become renowned for blending jazz, rock, and Latin influences. Often on stage with him is master tabla player Amit Kavthekar, whose playing adds an extra layer of depth to the performance. It’s been a few years since Di Meola last performed here, as he’s been recovering from a heart attack suffered during a 2023 show in Romania. He returned to touring in 2024, and we hope to welcome him back to the Sellersville Theater for what’s sure to be another unforgettable performance.

Albert Cummings holds a special place in my heart. He was the first artist I worked with when I joined the theater team. He’s an electrifying performer and a true master of the fretboard. Hailing from my home state of Massachusetts, the hat-trick is complete. Cummings’ fiery guitar playing draws comparisons to blues legends like Stevie Ray Vaughan—yet he has a style all his own. Over the years, I’ve had the pleasure of working with Albert on three different shows, each one distinct from the last. His lovely wife Christina often joins him on the road. Seeing them together—she still calls him her “boyfriend”—is something that never fails to bring a smile to my face.

Andy Summers’ impact on music, both with The Police and beyond, is profound. As the band’s guitarist, his innovative techniques and creative use of effects helped define their iconic sound. After The Police disbanded in 1986, Summers embarked on a successful solo career, spanning genres from instrumental rock to ambient and experimental music. He’s also pursued photography, with his work featured in gallery exhibitions and books. I was fortunate to work his debut performance at Sellersville Theater in 2023, where he combined music and photography in a truly unique showcase. I’ll always remember his graciousness, his humor, and, of course, his breathtaking guitar work.

When I first worked with Billy Bob Thornton & The Boxmasters, I promised myself I wouldn’t quote from Slingblade—one of my all-time favorite films.  Afterall, I was a professional. But after five shows with them, each one feels more like reconnecting with an old friend. Billy, JD, and the rest of the band bring a mix of Americana with a dash of attitude, and it’s clear how much they enjoy performing together and connecting with the fans who return year after year. This past year, Billy was practically everywhere—chatting with anyone who wanted to say hello. I even had to pull him away from a conversation with a fan at the Washington House bar just so he could eat his dinner. But that’s just his way—personable and deeply appreciative. This year, I finally gave in and quoted from Slingblade, and to my delight, he smiled.

Canada’s Bywater Call was a revelation when they arrived for soundcheck in 2024. Their raw energy and tight musicianship immediately made an impression, especially since I wasn’t familiar with them at the time. Their bio describes them as a “powerhouse seven-piece southern soul, roots rock band,” but that only begins to capture the depth of their sound. Vocalist Meghan Parnell is an unstoppable force—her voice commands the room with such raw power and emotion, it’s impossible to ignore. If you haven’t experienced her powerhouse vocals live, you’re truly missing out on something special. I’m already eagerly anticipating their return—and I’ll be first in line to experience that energy once more.

When I first worked with Oregon-based Cherry Poppin’ Daddies, I couldn’t help but snap my fingers and tap my feet during their soundcheck. That show was filmed as part of WHYY’s Emmy Award-winning series On Tour. Known for their fusion of swing, jazz, ska, and rockabilly, the band had us clear the cabaret space right in front of the stage for dancing, creating an electric, high-energy atmosphere. By the time they played their hit “Zoot Suit Riot,” the energy in the theater had reached a fever pitch. It remains one of the most memorable shows I’ve ever been part of, and I’m still buzzing from the experience.

I wasn’t sure what to expect from Massachusetts-based Darlingside, but I definitely didn’t expect to be blown away like I was. They seemed like nice enough guys as they loaded in, but when they started playing, everything changed. Their harmonies were so tight they felt like one voice, their arrangements hauntingly beautiful, and the energy they brought was contagious. Their first attempt to perform at the Sellersville Theater had been derailed by COVID, leaving the theater empty for months. When the day finally arrived, you could feel the anticipation in the air—they were more than ready to make up for lost time. NPR calls them “exquisitely arranged, literary-minded, baroque folk-pop,” but honestly, I was just blown away by how incredible they were.

In July of 2022, two of my favorite bluesmen shared the stage, and I couldn’t have been more excited. I’d worked with both Davy Knowles and Toronzo Cannon before, but seeing them perform together was something truly unique. Both call Chicago home—Davy lives there with his wife Amanda and their three daughters, while Toronzo, the now-retired Chicago Transit Authority bus driver, was born and raised in the Windy City. Davy’s music blends folk and rock, while Toronzo’s sound is rooted in blues, with a heavy dose of soul and a unique sense of humor. Their distinct styles made for an exciting contrast, but the magic happened when they came together. It was a night I’ll never forget.

Though it’s been several years since Earl David Reed graced our stage, his performance remains vivid in my memory. The Pennsylvania-based stand-up comedian is known for his unique blend of observational humor, personal stories, and sharp social commentary. What truly sets Earl apart is his ability to connect with the audience on a personal level. From the moment he stepped on stage, you could feel the room shift—everyone effortlessly settled into his rhythm. His relatability and quick wit drew us in, and by the end of the show, he’d seamlessly woven the audience’s individual stories together into a laugh-filled experience that had us all in stitches.

I’ve had the pleasure of working with Eileen Ivers twice, and I still can’t get enough of her performances. The American fiddler, known for her signature electric blue fiddle, is a true force of nature. Celebrated for blending Irish, Celtic, jazz, and bluegrass music, she first gained widespread recognition as a founding member of Cherish the Ladies, and has since enjoyed a successful solo career. Seeing Eileen perform live is an experience like no other. Her fiddle playing almost defies belief—each note is infused with such emotion and technical precision that it’s impossible not to be moved. Beyond her virtuosity, what makes her so compelling is her passion for sharing her music and teaching others. Whether she’s on stage or conducting workshops, her enthusiasm is infectious.

Louder.com once called guitarist Eric Gales “the world’s best-kept secret,” and after seeing him live, I understand why. This left-handed guitarist, who plays right-handed, reportedly picked up the guitar at just four years old, and his talent has only grown since. His 2022 release Crown, produced by Joe Bonamassa, earned Gales his first Grammy nomination and helped bring his virtuosic playing to a wider audience. At his Sellersville show, Gales dazzled the crowd with electrifying solos and deeply introspective songs. His fretboard was on fire, and the energy in the room was palpable. Watching him play, it was clear why he’s considered one of the best—his guitar work speaks for itself.

The second Eric on my list is none other than Eric Johnson, a true legend of the guitar. I’ve had the absolute pleasure of working two of his sold-out shows at the theater, and I can confidently say he is one of the best guitarists of our time. The Grammy Award-winning musician is not only an accomplished guitarist but also a skilled vocalist and bassist. Eric is a quiet, polite man, always taking time to connect with the crew and fans alike. His generosity and kindness shine through in every interaction. His music—whether it’s the intricate solos or the seamless transitions between genres—is a testament to his incredible talent. I can only hope we get the chance to host him again.

Fantastic Cat is one of my personal favorites, as they consistently leave audiences buzzing after every performance. Hailing from Brooklyn, the four-piece band—fronted by Brian Dunne, a musician already beloved by many theatergoers—wows with their remarkable versatility. They effortlessly shift between instruments and genres with each song, creating an experience that feels both fresh and unpredictable every time. Their effortless style and well-dressed charm add to the fun, making them as visually captivating as they are musically. In 2024, they performed at our annual Members Party on one of the most perfect weather days since I joined the theater team—clear skies, a light breeze, and over 800 attendees completely swept up in the band’s infectious energy.

My guess is we won’t see Felix Cavaliere’s The Rascals on our stage again, as it’s been many years since his last visit. But those two performances were memorable enough to earn him a spot on my list of top performers. His delivery of all the classic hits was flawless, as though he hadn’t aged a day. I vividly remember the first time I worked with him. I had forgotten my lunch, so my husband Tim drove over to bring it to me. Felix and I were at the merchandise table when Tim arrived. Felix struck up a conversation and even thanked Tim for ‘gifting’ me to him for the day. As a gesture of thanks, Felix gave Tim a t-shirt, which he still proudly wears today.

The Four Bitchin’ Babes have only performed once since I joined the Sellersville Theater team, but I still smile every time I recall their powerful vocal harmonies, hilarious lyrics, and witty audience interactions. During their stay, they were busy capturing photos and filming. I even made it into one of their videos from our lobby, showcasing my undeniable baton-twirling skills. Thanks, Christine Lavin, for making me quasi-famous!

Gaelic Storm is such a fun band to watch and work with. This California-based group blends Irish and Scottish jig traditions while infusing their catchy, singable lyrics with humor and wit. To date, I’ve had the pleasure of working six shows with the popular five-piece. A few years ago, the band had to cancel a string of dates after vocalist Patrick Murphy injured both of his legs. Our show was the first performance after the accident, with the band carrying Patrick to the stage from a wheelchair. The crowd responded with an outpouring of support, and it became a moment no one in the room will ever forget. The band is set to return later this year, and you can bet I’ll be there, front and center.

I’d be a wealthy individual if money were earned by repeat listens to specific albums. In the case of former Queensryche vocalist Geoff Tate, Rage for Order and Operation Mindcrime are two of my most cherished and played metal albums. His voice is one of the most identifiable in the genre. So, it was no surprise that I eagerly signed on to work both of his theater performances. Supported by a young band, including one of his daughters, the show worked through the band’s classics, capturing the grandness of Queensryche’s signature style and sound. It was a night full of nostalgia, and I hope to see him return to our stage.

George Winston’s triple-platinum-selling December album was a regular in my college dorm room, offering a peaceful escape during stressful times. The album’s timeless, simple beauty was a reliable companion through those challenging years. George himself was just as humble. The first time he approached me during the two occasions I had the privilege of working his show, he would extend his hand as a greeting, usually accompanied by a stack of gifted CDs. His final performance at the theater was on one of the most beautiful pianos I had ever seen. We livestreamed the show, with one of our five cameras focusing on the mirror that reflected his hands as they glided effortlessly over the keys—a poetic reflection of his grace. We lost George last year, as cancer returned to battle his aging body. Many people often say, “That one hurt” when losing a public figure who held such personal significance. In George Winston’s case, that one really hurt. Rest well, George.

Get The Led Out holds the record for the most performances at Sellersville Theater—a distinction they’ve earned over more than a decade of Labor Day residency bookings. I’ve worked every show, except two, since joining the theater team. It’s become an annual tradition, where I often find myself sharing my Fitbit step count—easily surpassing 50,000 steps each year. A true fan favorite, the band consistently rocks capacity audiences with ever-changing setlists, which they later photograph and post on their popular Facebook page. In recent years, I’ve found it hard to hold back tears, like many others, when the band reaches the part of the show where vocalist Diana DeSantis used to join her husband, lead singer Paul Sinclair, on stage. Diana tragically lost her long battle with cancer in 2020. To honor her, the band now plays a video filmed at the renowned Red Rocks Amphitheater, showing Diana with her beautiful, infectious smile, singing “The Battle of Evermore.” It’s a heartfelt tribute to an angel who was truly born with wings.

I adore Gunhild Carling. Having worked all three of her performances at Sellersville Theater, I’m proud to champion her shows. She’s one of the most talented women I’ve ever had the pleasure of working with—she sings, dances, and plays trumpet, trombone, recorder, flute, saxophone, harmonica, kazoo, and, last year, even bagpipes. Often accompanied by her daughter, niece, and other family members, her performances transport audiences straight back to the roaring ’20s and ’30s. Last year’s show was even more memorable for me, as my mom and cousin came in from Boston to see Gunhild perform. She’s a ball of energy from start to finish, and her enthusiasm for performing is absolutely infectious. I can’t wait for her next show.

Daring stunts, acrobatics, and loud rock ‘n’ roll are at the heart of Hellzapoppin Circus. This troupe of fearless, independent artists pushes the boundaries of circus and sideshow arts, leaving audiences breathless. With more than 3,000 shows across sixteen countries, their electrifying performance demands attention. It took some creative maneuvering to get all their set pieces onto our stage, but our amazing tech team rose to the challenge, finding innovative ways to safely lift and position the key elements of their grand show. Stilt walkers, sword swallowers, needles, and shards of broken glass—this was an unforgettable, wild experience that left the crowd in awe.

I wouldn’t call myself a die-hard southern rock fan, but when it comes to the local tribute band High Noon, I’m definitely a follower. These guys—many of whom live so close they can walk to the theater—deliver every time, playing classics from The Allman Brothers, Marshall Tucker Band, 38 Special, Molly Hatchet, The Outlaws, and Lynyrd Skynyrd. With seven shows under my belt, I’m already looking forward to their return in 2026.

Whenever British synth-pop icon Howard Jones is on our schedule, my co-worker Rachel and I can’t help but get excited. I’ve been fortunate to work two of his shows—one a mesmerizing solo performance and the other with him performing as a trio, each bringing a distinct energy to the stage. What has always resonated with me about his music is its upbeat, optimistic feel, paired with the thoughtful, positive nature of his introspective lyrics. One song in particular, “Hide & Seek,” from his 1984 album Human’s Lib, holds a special place in my heart. I was thrilled when he included it in his set during his last show. Afterward, I thanked him for playing it, telling him it was one of my favorites. He smiled and shared that it was one of his too—an exchange I’ll always remember.

I first discovered British blues singer and guitarist Jack Broadbent through my work at Sellersville Theater, and I’ve been hooked ever since. I’ve had the pleasure of working two of his shows, and each time, it was just him, his guitar, a few foot pedals, and a cajón—along with that unforgettable gritty voice. Broadbent’s unmatched talent on the slide guitar effortlessly blends with his masterful rhythmic grooves, creating a sound that lingers long after the performance ends. With his growing popularity, I’m crossing my fingers we’ll see him return to our stage in the future. A fun fact: his frequently available merchandise includes a branded flask, which he also uses as his slide during performances.

We lost JD Souther last year, just a few days after his latest performance on our stage. I wasn’t working that show, but I had the privilege of working with the Grammy-nominated, Songwriters Hall of Fame inductee on two occasions. Everyone knows his songs, whether they realize it or not—his lyrics have been recorded and made famous by The Eagles, Linda Ronstadt, and Bob Seger, among others. We often spent our time talking about our dogs, something I’ll always fondly remember. JD was a quirky, talented man, and his passing has left a void that will be hard to fill.

John 5 is a rare talent. His guitar skills seamlessly blend blues, rock, metal, classical, country, and pop, creating a sound that’s truly his own. His shows are an experience—often featuring large screens with clips from cult films and TV shows, which add a dynamic visual element to his already electric performances. As his popularity has skyrocketed, getting him to our humble theater has become more challenging, especially with his work with Marilyn Manson, Rob Zombie, and most recently, Mötley Crüe. But John has a deep affection for Sellersville Theater, and it’s clear he loves his fans just as much. He’s always generous with his time, taking the opportunity to sign autographs and share personal stories about his family, his beloved cats, and more. Last year, he smiled at me and asked me to personally thank Chef Cory at the Washington House for the special meal prepared just for him. 

For me, Eddie and the Cruisers is a guilty pleasure. Michael Paré’s portrayal of Eddie Wilson perfectly captured the rock ‘n’ roll heartthrob persona—mysterious, tortured, and magnetic. While Paré played Eddie, it was John Cafferty & The Beaver Brown Band that truly brought the music to life. The soundtrack is iconic, with songs like “On the Dark Side” and “Tender Years” still resonating with fans today. So it was no surprise that John and his band sold out the one show I worked with them in no time. Their performance nailed the heartland rock sound, blending nostalgia with raw emotion. The whole band was easy to work with, making the experience even more memorable.

John Lodge may be the legendary bassist for The Moody Blues, but to me, he’ll always be a big, friendly teddy bear. I’ve had the pleasure of working with John, his daughter, and his amazing band three times. His shows are full-on rock experiences, especially compared to his fellow ‘Blues singer, Justin Hayward, whom I’ve also had the pleasure of working with on several occasions. The six-foot bassist is a lively performer who adores his fans. It’s been a few years since his last performance at the theater, and I can only hope we’ll see him return.

When I received the news of John Mayall’s passing in 2024, I was at work, and the moment I saw the alert on my phone, a wave of sadness washed over me. John was such a gentle soul, and the one show I had the privilege of working with him remains one of my all-time favorites. I called him “Mr. Mayall” out of respect, but he never expected any special treatment. He did things his own way—one of the most humble, grounded artists I’ve ever met. I’ll never forget how he set up his merchandise in the lobby before the show, not wanting to inconvenience anyone. Yet, when people walked by, they’d do double and triple takes, shocked to see him sitting there. I’d tell them, “Go up and say hi. It really is John Mayall.” His performance was incredible, but it’s the quiet, genuine moments with him that I’ll always treasure.

I’ve been a fan of King’s X since their debut album, Out of the Silent Planet. Over the years, I’ve had the chance to see them live countless times, and their music has always held a special place in my heart. When I interviewed with Theater Manager Dawn, we immediately bonded over our shared love for the band. That connection became a foundation for our work together.  To date, I’ve had the privilege of working on seven of their shows. Last year, King’s X did something they’d never done before: they played back-to-back shows, giving local fans a rare double dose of their signature harmonies and heavy guitar riffs. It was an unforgettable experience for everyone involved. Although it’s hard to pick a favorite song, one that always stands out is the heartfelt ballad “Goldilox.” It’s the audience, not the band, that sings the song. It’s always such a magical moment, and a perfect way to close out the show.

Ladysmith Black Mambazo has the remarkable ability to make everyone happy. Their performances feel almost like a spiritual experience—rich with intricate harmonies, rhythmic foot stamping, and an infectious energy that lifts the soul. I eagerly anticipate every opportunity to work with them. Founded in the 1960s, this South African a cappella group rose to international fame through their collaboration with Paul Simon on his Graceland album. Their stunning Zulu arrangements promote peace, hope, and unity—timeless messages that resonate deeply, especially in today’s world.

One of the highlights of my career was working as the publicist for Ronnie James Dio—a role that I still remember fondly. Ronnie was an absolute gentleman, as were all the members of his band, including drummer Vinny Appice. Last in Line, made up of select former members of Ronnie’s band, has performed at Sellersville Theater twice, each one brings back cherished memories of my time working with Ronnie. Their performances always deliver, with Appice, guitarist Vivian Campbell, bassist Phil Soussan, and vocalist Andrew Freeman ripping through iconic ‘80s heavy metal classics. It’s a powerful reminder of what made ‘80s rock so unforgettable. Horns up!

I’ve been a fan of Los Lonely Boys since I first heard their mix of blues, Tejano, and country in 2004. The three performances I’ve worked with them are among my favorites at Sellersville Theater. Brothers Henry, Jojo, and Ringo truly rock the house, playing songs from their expansive catalog. At their first show, there was a bit of an awkward moment when the band lingered backstage longer than expected, leaving the crowd anxiously waiting. But once they hit the stage, all those nerves were forgotten, as the audience joined in to sing along to “Heaven,” “Crazy Dream” and other fan favorites. I hope we get them back.

Lotus Land-The American Rush Tribute Band is hands down my favorite tribute band. As a lifelong Rush fan, I can confidently say that this New England-based group delivers with incredible precision. They recently completed their first three-day residency, which brought my total show count to twelve. This year, they added “The Garden” to their set—a song that Ultimate Classic Rock described as having “an almost prescient sense of finality.” For me, it carries even deeper personal meaning, as it was the song my husband and I chose for our wedding dance, marking a special moment in my life.

We lost Louie Anderson three years ago, just weeks before he was scheduled to return for another performance at Sellersville. His untimely passing left a void in our theater family, deeply felt by everyone who had the privilege of working with him. Louie’s humor, always clever and free of profanity, was a true gift. For the longest time, the stool he used during his performances sat proudly at the entrance of the auditorium, but when it was damaged and had to be disposed of, it brought a bittersweet frown to my face. During his visit, Louie was promoting his book, Hey Mom: Stories For My Mother, But You Can Read Them Too, which he signed for my husband—a kind gesture that reflects the gentle soul he was.

Guitarist Martin Barre seems to have found the fountain of youth. At nearly 80, the Jethro Tull guitarist still runs around our stage with his guitar strapped on, proving age is no match for his energy. His shows are a masterclass in musicianship.  I’ve had the privilege of working five of them, all of which sold out. Martin and his exceptionally talented band rock the house with the same enthusiasm as ever. Just when I thought I’d seen it all, tickets recently went on sale for his first acoustic performance at the theater, and I’m curious to see how he’ll deliver in a new format.

Political commentator and Doylestown native Michael Smerconish has graced the Sellersville stage twice, with his 2024 performance, The Mingle Project, standing out as a thought-provoking and surprisingly uplifting evening. Over time, I’ve come to admire his skill in presenting both sides of any political issue, challenging audiences to think more deeply. This sold-out show was no exception. Michael reflected on how life in America has changed across generations, sharing poignant stories about his childhood bus driver, favorite teachers, and professional heroes. In a political climate often marked by division, it was a refreshing, hopeful conversation that resonated with the crowd. And to top it all off, I even got a shout-out on his radio show the next morning—making me famous once again.

Mike Dawes will return for his second headline performance this month, and I’m excited to see him again. I’ve had the privilege of working with this English fingerstyle guitarist four times, including his collaborations with Justin Hayward. But it’s his solo work that truly shines. Mike’s covers of pop songs—like his breathtaking version of Toxic by Britney Spears—showcase his technical virtuosity and creative flair. With a style full of percussive elements, harmonics, and dynamic range, his shows are nothing short of captivating. If you’re looking for a unique musical experience, be sure to grab tickets for his February 14 performance.

The first time I worked with Paul Thorn, I accidentally walked in on him lifting weights, which he brings with him on tour. I wasn’t apologetic for the intrusion—his still-chiseled physique was a vivid reminder of his days as a professional boxer. But it’s Paul’s music that truly makes an impact. Known for blending rock, blues, country, and soul, he crafts some of the most memorable, humorous lyrics in the business. His raw and relatable storytelling, often drawn from his colorful life experiences, makes his performances feel grounded and personal. A new show just went on sale, and it’s sure to sell out quickly. Don’t miss your chance to see this incredible artist live.

It’s always a joy when Paula Poundstone returns to our stage. Her comedy is personal, unique, and always a little twisted. She often weaves stories from her own life with a comic spin that leaves the audience in stitches. “Don’t sit in the front unless you want to be part of the show,” I tell patrons when I’m working in the box office. I’ve had the chance to greet Paula three times now, as she arrives in her black SUV after a quick trip to her hotel. There’s a quiet ritual she follows, writing notes before the show—something I see most comedians do. After the show, she makes her way to the lobby, engaging with fans and accepting everything from flowers to Diet Coke to various flavors of Pop-Tarts. Paula will return later this year, and I’m already looking forward to it.

Raul Malo has one of the most beautiful voices I’ve ever heard. I’ve had the pleasure of working with the frontman of The Mavericks four times, and each performance is a reminder of why he’s so beloved. Whether he’s captivating the ladies or winning over the guys, he has this unique charm. I’ll never forget the time he brought his English bulldog, Sunny, to the show to help socialize his new companion. Unfortunately, Sunny snapped at one of our ushers, our resident photographer Tina Pastor. No harm was done, but Raul—ever the good sport—quipped, “I put Kujo in the bathroom,” which had everyone nearby laughing. Raul is currently recovering from surgery related to his cancer diagnosis last year, and my thoughts are with him as he heals.

Bartender Ricky and I are still holding out hope that Ray Wylie Hubbard will make one last appearance on our stage before retiring. His live shows are truly one-of-a-kind—gritty, intimate, and overflowing with raw energy. There’s a magnetic quality to his laid-back presence, making each performance feel like a gathering of friends around a campfire, with him at the center weaving stories and sharing his songs. I feel lucky to have worked four of his shows, each a reminder of how unpredictable and real his performances are, with that unmistakable blend of humor, heart, and depth.

Psycho-billy rockers Reverend Horton Heat deliver an electric, high-octane live experience that always leaves a lasting impression. I first saw them perform at a smoky club in Dallas during a visit to an old family friend—who, as I later learned, had helped launch Ray Wylie Hubbard’s early career. Since then, I’ve worked two of their shows, and each one has been an absolute blast. Jim “Reverend” Heath, with his signature slicked-back hair and sharp attire, leads the charge with lightning-fast, twangy guitar licks—a psychedelic channeling of rock ‘n’ roll. A hallmark of their live shows is the crowd engagement—whether it’s Heath cracking jokes, getting everyone to sing along, or encouraging spontaneous dancing at the foot of the stage. Their energy is contagious, pulling the crowd right into the fun. They don’t visit often, but I’m already counting the days until their next East Coast tour.

Pedal steel guitarist Robert Randolph is an electrifying performer with showmanship that’s second to none. Though I missed his first performance at the theater, I made sure to catch his return—and it quickly became my favorite show of 2023. His fusion of gospel, funk, rock, and blues creates a spiritual experience unlike any other. Having shared the stage with music legends like Eric Clapton, Bonnie Raitt, Carlos Santana, and The Allman Brothers, Randolph’s versatility is undeniable. I’d consider myself lucky to work another one of his shows—fingers crossed he comes back soon.

Shawn James’s The Dark & The Light was one of my favorite albums of 2019, so when I saw him on the schedule, I couldn’t wait to see him live. Known for his soulful, powerful voice and emotionally charged music, Shawn blends folk, blues, rock, and soul into a sound that’s uniquely his own. His lyrics often dive into themes of personal struggle, resilience, and introspection, resonating deeply with his audience. When he took the stage, his voice filled the room, grabbing everyone’s attention with its raw intensity. The energy in the space was palpable, and it was clear I wasn’t the only one excited—some of the staff even got giddy snapping photos with the crooner. I truly hope he returns.

Rebel rocker Steve Earle is a favorite at Sellersville Theater, and the three shows I’ve worked with him have all sold out. Known for his outspoken lyrics, he often tackles social and political issues alongside deeply personal stories of addiction and his time in jail. Two of those performances were solo shows—just Steve and his many guitars. I’ve enjoyed spending time with him, talking about music, other artists he admires, and, of course, the New York Yankees. He had a real laugh when I told him about my childhood dream of becoming the female Tommy John, the famous Yankee left-handed pitcher. Steve is a warm, soulful person who wears his heart on his sleeve, and I’d be grateful for another chance to spend a day with him.

Depeche Mode has been one of my favorite bands for as long as I can remember. The chemistry between vocalist Dave Gahan and guitarist/vocalist Martin Gore is truly unmatched, which is why I was immediately intrigued when Strangelove – The Depeche Mode Experience was first announced. After working three of their shows, I’m officially hooked. The first two performances featured a live drummer, but the 2024 show offered something different: a drum-free setlist that revisited Depeche Mode’s early years, recreating their iconic sound when it was all about keyboards and computers. The crowd—mostly women—filled the dance floor with contagious energy as Strangelove powered through some of Depeche Mode’s most beloved tracks.

Last year, Suzanne Vega included “In Liverpool” in her set for another sold-out crowd. From her 1992 album 99.9F°, the song features a more electronic sound compared to her earlier acoustic work, and it’s one of my personal favorites. This was my second time working with the Manhattan-based singer, and once again, I was struck by her uncanny ability to connect with fans through her deeply personal stories and introspective lyrics. Joining her on stage was guitarist Gerry Leonard, known for his work with David Bowie, Laurie Anderson, and Rufus Wainwright—who, by the way, will soon make his debut at the Sellersville Theater.

Tab Benoit is a comedian at heart. His stories from the stage always have the audience laughing, each tale delivered in his signature Louisiana drawl. But it’s his guitar playing that keeps fans coming back year after year, with every show selling out. I’ve worked five of his performances, and each one tops the last. He doesn’t soundcheck, so the first time I see him is just before he steps on stage. While fans know he doesn’t do official meet-and-greets, they also know they can find him outside afterward, smoking cigars and sipping bourbon. I’ll admit, the long hair is starting to grow on me.

I admit, I snapped a photo from inside Terry Bozzio’s massive drum kit while he was out for dinner—the only time he’s performed on our stage. His setup, which he and his tour manager spent over two hours assembling, featured eight kick drums, every size tom imaginable, and more cymbals than I’ve seen in all the Guitar Centers I’ve visited combined—each meticulously arranged like a work of art. Each drum was tuned to perfection, letting melodies emerge from the skins themselves. It was part performance, part masterclass, and part “What on earth did I just witness?” To top it off, Terry was incredibly personable, which completely threw me off. I had expected a distant, maybe even intimidating figure, but instead, he was warm and engaging from the moment we met. His openness made the whole experience even more memorable.

Our bartender Ricky would dissolve our friendship if The Outlaws weren’t on my list. I’ve worked six shows with these southern rock legends, and each one has been louder than the last, with classic songs that transport many of our patrons back to their youth. Staff always make sure Ricky gets access to the auditorium during “Green Grass and High Tides,” a tradition that often requires a box of Kleenex (though Ricky denies it).

What a treat it was to spend an evening with Thomas Dolby. One of only four shows organized by Roland, the ’80s electronic superstar invited patrons to choose three songs, write them on slips of paper, and drop them into a hat. He then incorporated the most popular choices into the performance. The stage was set with nearly a dozen keyboards and computers, one of which was connected to a large video projector. Each song was broken down, with video showing exactly what Dolby was doing to create the sounds we were hearing. The night ended with “She Blinded Me with Science,” where the melody was actually a reversed bass guitar line, sped up. Weeks later, our then Technical Director, Dan Faga, and I received zip hoodies courtesy of Roland.

Tommy Emmanuel is widely regarded as one of the finest fingerstyle guitarists in the world. His unique style blends intricate fingerpicking, percussive techniques, and complex melodies, making his performances both technically impressive and emotionally expressive. The show sold out almost instantly—and for good reason. No loop pedals, no overdubs—just one man, one guitar, and ten fingers. He was joined on stage by guitarist John Knowles, one of only five musicians ever honored with the title of CGP (Certified Guitar Player) by Chet Atkins. To have both of them sharing our stage in the same night was a truly special moment.

One of the final shows on UFO’s 50th Anniversary tour nearly didn’t happen. Vocalist Phil Mogg had been feeling unwell all morning, sparking rumors that the show might be canceled. Thankfully, quick thinking on the theater’s part saved the day—we managed to get Phil an appointment with a local doctor, who cleared him to perform. The sold-out crowd would’ve been crushed otherwise, but you’d never have guessed he wasn’t at his best. The performance was as electric as ever.

Walter Trout is a regular favorite at Sellersville Theater. He tells me every year when he walks into his green room that playing here feels like coming home. Over the years, I’ve had the pleasure of working five of his shows, and each one has been a highlight. One year, he performed with a broken finger—and you’d never know it. He coaxed a blues-soaked frenzy from his guitar, playing with the same passion and intensity as always. I’m already looking forward to his return in 2025.

Honorable Mentions: Albert Castiglia, AM Radio, Fates Warning, Gary Gulman, Glen Hughes, Glen Miller Orchestra, Graham Parker, Greg Hawkes (of The Cars), Hayes Carll, Jared James Nichols, Joan Osborne, The Jayhawks, Jerry Douglas Band, Joanne Shaw Taylor, Johnny Peers & The Muttville Comics, Jordan Rudess (of Dream Theater), Justin Hayward, KICK-The INXS Experience, Leo Kottke, Mary Fahl, Matisyahu, Matt Cappy, Midge Ure, Molly Tuttle, North Mississippi Allstars, Pokey Lafarge, Puddles Pity Party, Ric Emmett (of Triumph), Ricky Skaggs, Shemekia Copeland, Southern Culture on the Skids, Spin Doctors, Stacy Mitchhart, Swing That Cat, Tinsley Ellis, The Smithereens, The Ventures, Vinnie Moore, Willie Nile, William Elliot Whitmore, Wishbone Ash, Y&T